• Sat, 10. October 2026 and further dates
  • 19:30
  • Innsbruck, Kammerspiele

Mary, Queen of Scots

“Life is but a moment; death is but a moment as well.”

The year is 1587: The death sentence against her own cousin and Queen of Scotland, Mary Stuart, has already been handed down. Yet Elizabeth, the reigning Queen of England, hesitates to sign it. Not only does Mary still enjoy great popularity among the British people, but she also has powerful allies in neighboring countries. Signing and carrying out the sentence could cost Elizabeth the throne. Or it could bring her the long-awaited peace and confirm her unchallenged claim to power.

It would be easier if Mary were to pass away quietly—if an assassin could be found to carry out the deed in secret. And it seems such a person has been found: Mortimer, the nephew of Sir Paulet. What no one knows: Mortimer is a ticking time bomb, fanatical and ready to give his life to free Mary from her prison, so he can see her on the throne as Queen of England instead of Elizabeth. 

Suddenly, everything happens very quickly: blame is shifted, 
decisions are postponed, responsibility is delegated, language becomes a weapon, morality a bargaining chip. What must be done politically? And who is willing to stand up for it?

This eloquent classic is a must-see for anyone who can’t get enough of power intrigues, political and romantic double agents, surprising twists, and breathtakingly intelligent, sharp dialogue. Mary Stuart is not a historical drama, but a poetic exploration of power: What is the price of power?